Digital painting walkthrough: Trelise

Comments: 7Posted on Sunday, March 28th, 2010

Digital painting walkthrough: Trelise

 
Created by: Viet-My Bui
Email: vm.bui@hotmail.com
Website: ravenskar.tumblr.com
Software: Paint Tool SAI
Hardware: Wacom Intuos2 tablet

1. I scanned in a pen sketch from my moleskine & took my inspiration from there. I was really fond of the original sketch, but I wanted a more dynamic pose. Sketches were done straight in SAI with my tablet. I always tend to try out random poses before I settle on something concrete. This is to get the flow of the figure/personality of the character. Decided to stick with the sketch on the far right.

  2. Laying it out on the canvas. Playing with composition.
  3. Roughly putting in the values in b&w. This helps me add depth to my piece. I’ve gotten so used to starting in grayscale that I’d probably do a shit job otherwise.
  4. New layer, blend mode set to “overlay”. Adding colours to my lines/highlighting various areas (like her eyes, cheeks, etc).
  5. New layer again, blend mode set to “multiply”. This is where I liberally swoosh in swathes of colour to play around with the background. Decided on this slightly crazy mix of psychedelic colours. Add a few random colours to her hair/skirt. Colours from the “overlay” layer start to come through as I paint over them. Both of these steps are integral because it’s where I add most of my colours.
  6. New layer again (last one). This is a normal/standard layer. This is where I start the painting process. While occasionally choosing new colours, I use the eyedropper/colour select tool RELIGIOUSLY. This is because I want to pick up as many colours as I can from what I’ve already laid down quite roughly.
  7. Continuing to paint, while picking up colours from all over the place (especially the background): adding violet to her hair, blue to her chest, pink across her cheeks, etc.
  8. Doing a bit of her hair/shoulders. Zoning in on her face. (I move around a lot when I paint, lol.)
  9. Really cleaning up the face. Making sure to bring out the eyes & to emphasise on the make-up. Bringing out her cheekbones as well. Continually mixing other colours from the bg/piece to her eyes, cheeks, nose, forehead, etc.
  10. Doing a bit of the hair — blotting in blobs to make it more solid.
  11. More hair work. Added warmer colours to her neck/back (she was too grey). Defined collarbone & arm. Starting to work on the skirt, going with the large dots first.
  12. More skirt work. Getting into the pleats around her torso, making sure mix in lots of different colours as I really want to emphasise the eclectic nature of this piece.
  13. I dunno. Thought this looked cool.
  14. Finished with the skirt! It was crazy fun mixing in all those colours. Tried to make the material/colours look a bit more surreal, rather than having clear outlines for the dots.
  15. Zoning back into the hair, making sure to smooth it across her scalp, while maintaining crazy volume on the sides. Adding more oranges, yellows, reds & purples to the mix (to give it more interest/depth). Doing a rush job on her necklace at the same time.
  16. Adding the finishing touches to her hair. This is my favourite part: the flyaway strands! I love, love doing this. Not only is it incredibly quick & easy (I just random go over the whole head with different colours), but it instantly adds life & a touch of realism to the hair. Chose to keep it more matte rather than super silky shiny (otherwise it wouldn’t really suit her).
  17. Stylistic decisions now. Blended the furthest parts (perspective-wise) with the background — like the back half of her skirt, and her legs. Logic kinda went out the window here, and I went with instinct. Was going to add blobs into the air but felt it was overdoing it.
  18. Done with the painting. :D
  19. Now opening it up in Photoshop. Played a little with the colour values to bring in more contrast & more blues.

20. Added in some texture & atmosphere. Did my signature/name/website deets, making them all colourful and.. stuff. And yeah! Done! :D I’ve included a few extreme close-up shots at the end (at 100% zoom). You can see that my strokes are quite soft and messy, rather than very clean & defined.

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